The Warrior Ethos: Military Culture and the War on Terror - download pdf or read online

By Christopher Coker

ISBN-10: 0415424410

ISBN-13: 9780415424417

This is the 1st scholarly e-book to examine the function of the 'warrior' in glossy struggle, arguing that warriors' activities, and certainly suggestions, are more and more patrolled and that the trendy battlefield is an unforgiving surroundings during which to discharge their vocation.

As warfare turns into ever extra instrumentalized, so its existential measurement is fast being hollowed out. know-how is threatening the organisation of the warrior and this quantity paints an image of early twenty-first century warfare, helping to provide an explanation for why such a lot of aspiring warriors are becoming disillusioned with their career.

Written by means of a number one philosopher on war, this e-book units out to provide an explanation for what makes an American Marine a ‘warrior’ and why suicide bombers, or Al Qaeda combatants, don't qualify for this identify. This distinction is likely one of the crucial beneficial properties of the present struggle on Terror – and person who justifies even more large dialogue than it has thus far received.

The Warrior Ethos could be of serious curiosity to all scholars of army heritage, technique, army sociology and warfare studies.

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Thus just as the Spanish found the Arab world in Mexico, the Americans four centuries later found Mexico in Iraq. 53 The locals, one Marine explains, are ‘primitive people’ like the Mexicans today. Invoking the painted skulls on display during the Mexican Fiesta do los Muertos, he adds ‘What we should do is paint skulls on our faces. Come into these towns like demons. ’54 Unfortunately, history did not pass by these particular young Marines; it passed them by. In this case disorder and chaos became metonyms for freedom and authenticity.

Homer’s great epic has been known as the Iliad ever since the Greek historian Herodotus so referred to it in the fifth century BC. The word means ‘a poem about Ilium’, but the real theme of the poem is best summed up in its opening line, translated by the first English verse translator, Chapman, as ‘Achilles’ baleful wrath’. For this is a poem not so much about war as about warriors. It is provoked by the ‘abduction’ of Helen, the wife of Menelaus, Achilles’ kinsman. We are told of no other cause, and only an age so preoccupied with instrumental reason, with the ‘real’ meaning of events, will find, as did the Hollywood screenplay writers of Wolfgang Petersen’s film Troy (2003), a political subtext: trade rivalry between the Greeks and their rivals, the Trojans.

Or the fact that he was denied the ‘joy of combat’ which led him initially to join the Marine Corps? Spared the combat, he was spared the killing as well. One of the most common words for combat in the Iliad, charme, comes from the same root as chairo – ‘rejoice’. 32 What they rejoice in, of course, is not so much the killing as the combat experience. 33 The Greeks themselves saw in him the paragon of male courage – ‘the splendour running in the blood’ (to quote that arresting phrase of the poet Pindar).

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The Warrior Ethos: Military Culture and the War on Terror by Christopher Coker


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