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By A. Walton Litz

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Both. Kiss. ) Gee up! A cockhorse to Banbury cross. I'll ride him for the Eclipse stakes . . (U 522). The allusion to 'Ride a cockhorse' points forward to Bloom's hallucinated vision of Boylan visiting Molly, where Lydia Douce cries: 'Yumyum. O, he's carrying her round the room doing it! Ride a cock horse' (U 552). The theme of Bloom's impotence, his sexual 'eclipse', is introduced again several pages after Bello rides him 'for the Eclipse stakes'. In the passage which incorporates the last note in the sequence ('touches the spot'), Bello derides Bloom as an inadequate cuckold (U 529).

In this note Joyce was reminding himself in capsule form of a scene to be kept fresh in Stephen's memory. Many of the notes for Ulysses are 'shorthand' notes in the sense that they were aimed at reminding Joyce of a fuller version already visualized. Expansion and elaboration are the most significant characteristics of Joyce's revisions. ' and its answer (U 707) can be traced to the abbreviated 'pleasant reflections produce sleep'. At their most elaborate the notes are merely rough outlines of the final version: �5 reward, missing gent aged about 40 height 5, 8, full build, dark complexion, may have since grown a beard.

Y. Tindall) has been filled, and Joycean criticism has entered a phase of consolidation distinguished by a number of specific studies. My work belongs to this phase, and like most special studies it is dependent on the accomplishments of earlier scholars and critics. In a somewhat different form this book was a dissertation submitted for the degree of Doctor of Philosophy in Oxford University. For assistance in preparing that early version I am indebted to H. V. D. Dyson, of Merton College, Oxford, and M.

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The Art of James Joyce: Method and Design in Ulysses and Finnegans Wake by A. Walton Litz


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