By Will Pritchard
This e-book elucidates early smooth attitudes towards women's public exhibit. it's a cultural research that pulls on a variety of literary and non-literary texts from 1650-1700 to revisit the websites the place ladies seemed so much prominently: the playhouse, the park, and the recent trade (a purchasing arcade within the Strand). an educational learn, "Outward Appearances" is written in a transparent and interesting kind. it really is aimed essentially at literary students, yet historians will take a willing curiosity in it to boot. It deals a clean context for the learn of recovery drama and a provocative argument approximately ladies and public house. Will Pritchard is an Assistant Professor of English at Lewis and Clark university.
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Additional resources for Outward Appearances: The Female Exterior in Restoration London
Chapter 5 considers women buying, women selling, and women for sale at the New Exchange. The New Exchange was the ‘‘female’’ counterpart to the Old or Royal Exchange, and women were central to its workings: some were employed as saleswomen in the stalls there, some shopped for the fashionable items sold there, and some were there to engage in the business of courtship. The New Exchange, by displaying women under the banner of commerce, rather than that of art (the playhouse) or nature (the park), was ultimately subject to less criticism and disapprobation than these other sites.
I have tried to undo some of the sifting that time has performed and to return our attention to works such as Wit and Drollery: Joviall Poems (1661) or A Protestant Antidote Against Popery (1674). 83 Friedman’s annotation draws on the widest possible selection of apposite texts, without concern for high and low, good and bad, fiction and nonfiction. ’’84 Unlike Friedman, however, I am not aiming to illuminate the achievement of an individual author. Rather, I am attempting something close to what Robert D.
Or those whose Ancestors to whom they are heires, were seised of an estate descendable to them. . ’’85 In this view, nobility is conferred upon women by kings, parents, or husbands; it cannot originate in women themselves. Yet even as it affirms ‘‘distinct degrees,’’ Honor’s Pedigree makes it clear that mobility within the social hierarchy (particularly through marriage) was quite possible. ’’86 Yet many felt social distinctions were being eroded, and not only by Mary Carleton. The Art of Heraldry (1685), for example, notes disapprovingly that ‘‘now a days’’ anyone who ‘‘can live without manual labour, or by his Wealth can live and bear the Port of a Gentleman, shall be called Mr.
Outward Appearances: The Female Exterior in Restoration London by Will Pritchard