By Henri Cartan
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Additional resources for Oeuvres - Collected Works, Volume 2
Jack replies (358). Such spirited repartee certainly gives the impression, as Wilde puts it in “Phrases and Philosophies,” that “Industry is the root of all ugliness” (1245). Further, such rhetorical brio goes some way to explain that Wilde, even when his axioms proved highly entertaining, remained a controversial phrasemaker to be reckoned with. biographies 21 Almost overnight, the delight that Wilde aroused in the theatre would transform into disgust at the courtroom. Shortly after these two terriﬁc Society Comedies opened he embarked on his perilous libel suit against his male lover Alfred Douglas’ father, the notoriously headstrong Marquess of Queensberry.
In any case, Wilde had some characteristically clever responses to make to those interlocutors who laid accusations of plagiarism at his door. To the young Max Beerbohm, whose brother Herbert Beerbohm Tree directed A Woman of No Importance (1893), the tales he gleaned about Wilde’s impenitent attitude made entertaining gossip. On 15 April 1893, Beerbohm joked with Reggie Turner about Wilde’s unabashed interjection into a conversation that prompted the author to defend his tendency to ﬁlch other people’s bon mots: Speaking of plagiarism the other day, Oscar said: “Of course I plagiarise.
It does, however, seek to depict the real fascination with Wilde that has been pervasive in our culture for the past 100 years. Contrary to some critical assertions, Wilde and his works really never fell out of favor or interest. Given the degree of scholarly and artistic productivity that the name Oscar Wilde has induced in the century since his death, it is clear that we simply cannot get away from this author. As the contributors to this volume will demonstrate, there are many reasons for the Wilde phenomenon.
Oeuvres - Collected Works, Volume 2 by Henri Cartan