Feminine Subjects in Masculine Fiction: Modernity, Will and by Meredith Miller (auth.) PDF

By Meredith Miller (auth.)

ISBN-10: 1137341041

ISBN-13: 9781137341044

ISBN-10: 1349346918

ISBN-13: 9781349346912

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Additional resources for Feminine Subjects in Masculine Fiction: Modernity, Will and Desire, 1870–1910

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London periodicals such as the Standard and the Daily News either joined the debate or reported on it, as did the regional papers. Many of these reported on either local branches of the Ladies National Association or other meetings of ministers and local activists aimed at aiding sexworkers on the streets at night. Articles also note the participation of working-class mothers in ‘mothers’ meetings’ and link the Christian arm of the movement to ‘dissenting’ ministers, and thus implicitly to class activism of all kinds.

As the imagined split between realism and high Modernism, so the Modernism/postmodernism distinction erases the real relations between cultural production and other forms of material life in the context of modernity. The high culture/low culture split, the denial of massculture productions as embodying modernist formal attributes in the early twentieth century, is what allows the concept of the postmodern aesthetic to flourish. ‘Postmodern’ innovations in mass culture are in reality not substantively different from modernist formal techniques.

In a moment depicted variously as both weakness and determined agency, Mercy decides to assume Grace’s identity and go to London to begin life anew with a ‘clean’ identity. In this way, like Lady Audley and Lydia Gwilt, Mercy makes use of masquerade and identity theft to subvert unfair social conventions which imprison her. Thus far the novel follows an established sensation practice, marrying feminine protest to unstable identity. Sensation heroines were notoriously disruptive to ‘conventional’ morality.

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Feminine Subjects in Masculine Fiction: Modernity, Will and Desire, 1870–1910 by Meredith Miller (auth.)

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