By Jay Dunston Milner
Maddog Inc. was once a unfastened confederation of Texas writers and "picker poets," as Jay Milner calls them, whose heydey lasted from the overdue Fifties to in regards to the mid-'70s. This self-conscious gaggle of merrymakers (the crew even had an authentic Maddog club card) usually acquired jointly to celebration in the course of the nights and days. The merry pranksters he fell in with integrated the likes of Billy Lee Brammer, Bud Shrake, Gary Cartwright, Dan Jenkins, Larry L. King, Pete Gent and (to an quantity, even though merely peripherally, it seems that) Larry McMurtry. The singers and songwriters have been Willie Nelson, Jerry Jeff Walker, man Clark, Billy Joe Shaver and others. I hugely suggest Confessions of a Maddog, specially for these resembling myself who're a section more youthful than the author's iteration of Texas writers yet have heard inform in their mythical exploits. The Dallas Morning information, Tom Pilkington, January three, 1999. within the 1960's and '70s, a few Texas writers begun rising as major comers at the literary panorama. They have been, for the main half, a rambunctious and proficient lot who labored challenging and performed tougher, and earlier than they obtained too previous to socialise until eventually sunrise--among them, Larry L. King, Dan Jenkins, Bud Shrake, Gary Cartwright and Billie Lee Brammer--they left an indelible imprint at the international of letters in Texas and past. They and a few in their acquaintances known as themselves Maddog Inc.--a label that, given the tradition of the days, appeared completely becoming to their unequivocal overlook for restraint. castle worthy resident, Jay Milner, a local of West Texas, used to be one in every of the Maddogs. A former reporter and author for the esteemed big apple usher in Tribune, he released a well-regarded novel, Incident at Ashton, sooner than returning to Texas in 1961 to coach journalism, together with responsibility at TCU and SMU. In Milner's new booklet, Confessions of a Maddog, released by way of the college of North Texas Press, Milner recounts the lives, loves and losses of his stable acquaintances and fellow writers. From Editor's observe previous 4 web page excerpt within the fortress worthy Star-Telegram, November 15, 1998. A author is an individual who places his ideas into phrases. Jay Milner has a approach of placing everyone's strategies into phrases. He is familiar with the place he's, for this reason, he's in a position to place every little thing round him relating to himself, which seems a great spot. His perception into the psychological stumblings of an entertainer are uncanny. might be this is why he's additionally an entertainer. In different phrases and however and in addition to all of it, out of a potential ten, Jay Milner is a twelve.--Willie Nelson "When I first met Jay Milner, dinosaurs and the one-and-only unique Hank Williams have been many years lifeless; John F. Kennedy and William Faulkner just recently so. Lyndon Johnson, Martin Luther King, Bobby Kennedy, Jackie Gleason, purple Foley, Chet Huntley and a rowdy bunch of hard-drinking, pot-smoking, lady-chasing Texas writers--many of whom make appearances during this book--were alive and semi-well. So have been our dreams--collectively and individually--of quickly operating Norman Mailer out of city, embarrassing Kurt Vonnegut into retirement and decreasing Saul Bellow to full-time tuition instructing. It did not precisely ensue that manner, yet my-oh-my did not we have now a great time trying?" Larry L. King.
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Extra info for Confessions of a Maddog: A Romp Through the High-Flying Texas Music and Literary Era of the Fifties to the Seventies
Break my bones? Make me look so silly the coach would yell at me in front of the whole team? That kind of fear. But the real fearthe dread that constantly lurked in the unlit recesses of my mindwhere did that come from? I contemplated those enigmatic anxieties a lot, wondering what might have happened in my early life to cause ittelling Page 33 myself that it didn't make any sense. I'd always done pretty well at everything I'd tried as an adolescentno bleak puberty, no troublesome teen yearsand throughout adulthood.
But what Big Daddy said about being scared sounded to me more like he meant off, rather than on the field. And that made me thinkmade me take a hard look at my own anxieties. And they were there. You probably can't tell by looking, I thought to myself, but I've been scared most of my life. Way back, in the darkest alleys of my mind, there always lurked a dread or uneasiness that added up to fear. " But rather a kind of fear that I could hide from most of the time, as it crouched back there in the darkness, keeping me from reaching my full potential.
We moved out there when the Farm Bureau hired Daddy to build cotton gins and operate them. Somebody had gotten the bright idea that cotton could be grown and harvested in fields as flat as table tops easier than it could on rolling or swampy, or any other kind of fields. And they were right. Last I heard, that region of Texas was still the number one cotton producer in America. My father learned about cotton gins and ginning cotton from his father in deep East Texas, where the forest land had to be cleared of pine trees and brush before cotton could be grown and harvested.
Confessions of a Maddog: A Romp Through the High-Flying Texas Music and Literary Era of the Fifties to the Seventies by Jay Dunston Milner