Get Autobiography of an archive : a scholar's passage to India PDF

By Nicholas Dirks

ISBN-10: 0231169663

ISBN-13: 9780231169660

ISBN-10: 0231169671

ISBN-13: 9780231169677

ISBN-10: 0231538510

ISBN-13: 9780231538510

The a long time among 1970 and the tip of the 20th century observed the disciplines of background and anthropology draw nearer jointly, with historians paying extra cognizance to social and cultural elements and the importance of daily event within the examine of the previous. the folks, instead of elite actors, grew to become the point of interest in their inquiry, and anthropological insights into agriculture, kinship, ritual, and folks customs enabled historians to boost richer and extra consultant narratives. The intersection of those disciplines additionally helped students reframe the legacies of empire and the roots of colonial knowledge.

In this number of essays and lectures, history's flip from excessive politics and formal highbrow background towards traditional lives and cultural rhythms is vividly mirrored in a scholar's highbrow trip to India. Nicholas B. Dirks recounts his early research of kingship in India, the increase of the caste process, the emergence of English imperial curiosity in controlling markets and India's political regimes, and the advance of a difficulty in sovereignty that resulted in a unprecedented nationalist fight. He stocks his own encounters with files that supplied the resources and bounds for learn on those topics, finally revealing the bounds of colonial wisdom and unmarried disciplinary views. Drawing parallels to the best way American universities stability the liberal arts and really expert examine this present day, Dirks, who has occupied senior administrative positions and now leads the college of California at Berkeley, encourages students to proceed to use a number of ways to their examine and construct a extra international and moral archive.

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The walls of the temple complex served in one sense as a local record room—the origins of most modern archives; these records, however, were attached to a preexisting monument and functioned in effect to secure the monument as well as the authoritative relations and figures whose own power was symbolized and deployed through the institutional formation of the temple. And despite the ample epigraphical record, the actual record was slight compared to any modern paper archive, the details of administrative procedure few and far between, only rarely cross-referenced in ways that might genuinely anticipate the surveillance and custodianship of a bureaucratic managerial elite that would seem the sine qua non of modern archives and states.

My first experience of the archive had thus been frustrating for several reasons, quite apart from the myriad frustrations that any scholar working in Indian archives in the 1970s took for granted, such as the absence of photocopy machines, the now unimaginable absence of the computer, and the often highly personalized contingencies of archival access, even in state- and national-level record offices. I was frustrated not only because I felt buried under the weight of archival excess but because this excess was distributed in historically contingent ways across states, nations, and continents, with little in the way of indices, guides, or user-friendly catalogues that could help prepare the scholar for the task ahead.

When, looking for ethnographic observations on the part of the state outside the official manuals, gazetteers, and census materials, I found materials about so-called barbaric practices such as hookswinging, I read through files that responded to widespread pressure from missionaries and others regarding the suppression of an activity that brought no grievous bodily 42 AUTOBIOGRAPH Y harm and little in the way of significant social unrest to the attention of district administrators, who nevertheless had to worry about the representation of governmental activities both within India and back in Britain itself.

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Autobiography of an archive : a scholar's passage to India by Nicholas Dirks

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